10 Sep 2009 @ 6:25 AM 
 

Beauty and Authenticity in African Art

 

A new book was published by the Museo d’Arte & Scienza in Madrid.

Looks like the Teke mask on the cover was not made for tribal use but for decoration, since it does not include the normal symbols you see in traditional Teke masks ,and the red pigment use, looks more like painting,…

Among scholars interested in traditional African art this museum has had it’s share of controvercy, but still I found it an interesting book.

Main contents of the book
The round or natural style is the most ancient Black African art style, whilst a style hailed as primitive (“abstract“) could be directed at the Western market and lovers of modern painting. Of great interest might be the comments on what is judged as “colonial” and “decadent” and the concepts of “straight lines” and “rare“.
Masks –
Dan, Yoruba, Ibo, Songye, Ekoi, Bambara, Senufo, Fang…Helmets, Headdresses, Two-faced, Zoomorphic and Ritual Dance Masks.
Figures –
Facial expressions on masks and figures; The development of Dogon art; Baule spirit spouses; Man, Woman and their different social status; Couples; Ibeji twin figures.
The cult –
The fertility cult, The funeral and divination cult.
Musical instruments
Receptacles and other utensils of artistic value
Objects in bronze and other metals
The art of the Ife and Benin kingdoms
Stone figures
Terracotta figures and heads
The Authenticity of African Art -
Artworks in Wood,
Bronze, Stone, Terracotta and Ivory: Dating, Corrosion, Fake corrosion, Abrasion, Patinas, Paints, Manufacturing process, Restoration.

to buy this book and read more ...

{{{silver|gold|platinum}}}
The rest of this article is available to African Art Club members only.

Tags Categories: book review, Italy Posted By: nordend
Last Edit: 08 May 2010 @ 09 37 AM

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