



An African mask is only a fragment of the art canvas. Masks are dramatic, musical costume events of which the headgear plays only a part.
The way we are used to seeing masks, as a lone sculptural statement, mounted on a stake or plastered against a wall, is an incomplete performance.
The Dallas Museum of Art is rectifying that indignity with an exhibition of masks paired with their full body costumes, often accompanied with photographs and videos of the dancing masquerade.
There is so much more to masks than face covering, and learning that they rarely covered the face is only the beginning of the education that is offered in “African Masks: The Art of Disguise,” which opens Sunday August30, 2010.
We like disguises. That is probably why we like to celebrate Halloween costumes during every month with 31 days (much to the chagrin of our neighbors). This exhibition sounds like it will be right up our alley. About 50 objects from the museum’s collection and local collectors will be on display, and observers will be able to see masks of many different styles and purposes. Full masquerade costumes will also be displayed, so viewers can get the full effect of the ensembles
Read details and see these 7 nice masks from the Dallas Museum in the members section: ...




African Art Museum of the SMA Fathers
official site: http://smafathers.org/museum

Ruby Washington/The New York Times
There’s the National Museum of African Art in Washington. And the Museum for African Art in New York, reopening in a new Fifth Avenue home next spring. And there’s a third you’ve probably never heard of, the African Art Museum of the SMA Fathers here.
This museum is small and unorthodox in its setting: a stained-glass-windowed hall attached to a Roman Catholic church. But it’s the real African deal, with a collection covering the continent, top to bottom, coast to coast, old to new.The Permanent Collection, Part I, remains on view for a year at the African Art Museum of the SMA Fathers, 23 Bliss ...




”Through African Eyes: The European in African Art, 1500 to Present
”

Unlike previous exhibitions on this topic, ”Through African Eyes: The European in African Art, 1500 to Present
” will combine diverse representational forms from 16th century Benin bronzes to late 20th century satiric masks and figures, with related material to demonstrate the multiple relationships between Africans and Europeans and their profound impact on African visual arts. It provides an examination of 500 years of cultural and political interactions between African cultures and European outsiders. The exhibition will showcase approximately 130 of Africa’s finest three-dimensional artworks and utilitarian objects executed in wood, ivory, metal, and textiles from leading American and international museums and private collections.
Date: September 25, 2010 to January 9, 2011.
Venue:
The Nelson-Atkins Museum Of Art,
4525 Oak Street,
Kansas City, MO 64111.
Other venues: Detroit Institute of Arts: 5200 Woodward Ave., Detroit; 313-833-7900; Detroit Experiences: Robert Frank Photographs, 1955; through July 3. Through African Eyes: The European in African Art, 1500 to Present; through Aug. 8. Hours: Wed., Thu., 10 a.m.-4; Fri., 10 a.m.-10; Sat., Sun., 10 a.m.-5. (4/11/10 to 8/8/10).
The “Through African Eyes: The European in African Art, 1500 to Present
” catalogue is a good reading, the 200-page exhibition catalogue include essays by recognized experts and numerous color and black-and-white illustrations that will expand on the ideas conveyed by the exhibition. :
More information, life press release and interview videos and more pictures :
In this press release AmericaJR.com’s Jason Rzucidlo reports from the Detroit Institute of Arts for their press conference just before the unveiling of their new exhibit “Through African Eyes.” Watch for remarks by DIA Director Graham W.J. Beal and exhibit curator Dr. Nii Quarcoopome.
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